Which artist sang the song Dirty Laundry

Dirty Laundry - The Soul of Black Country

From a distance, the African American presence in the country may begin and end with Charley Pride. But if you take a closer look at the entanglement of black artists in the country, you will discover the story of a great, hard-tested and often denied love. Afro-American musicians were part of the country tradition from the very first recordings. And before that.

“Hillbilly music”, writes Bill C. Malone in the leading standard work “Country Music USA”, “developed mainly from the reservoir of brought to North America by Anglo-Celtic immigrants
Folk songs, ballads and dances, absorbing a lot of foreign influences, especially from the culture of the African American ... Of all the ethnic groups, none has played a more important role in providing the country musician with song material and styles than the blacks who were abducted from Africa ”. The folklorist Norm Cohen even goes so far as to claim that it was the African admixture that gave country its worldwide appeal, in contrast to other rural American music.

The fact is: Black and white musicians in the American South have always exchanged ideas across all racial barriers. Often they developed parallel preferences for certain instrumentations and texts. There is hardly a soul singer who has not translated one or two country songs into the language of rhythm'n blues. And last but not least, there are the black musicians who have found their musical home in the straight country and still find it. "Country songs," explains English music journalist Barney Hoskins, "caught on with black artists because they contained elements that blues-based songs lacked, especially when it came to the art of storytelling."

As a collection of the different black approaches to country music, the anthology “Dirty Laundry” does not only want to recover buried music historically, to reveal the often overlooked country roots of soul stars and to place African-American country musicians in a cross-genre context. The main thing here is to ask questions, to shake things that are supposed to be taken for granted.

“When does a bad record appear on Trikont? The way it looks: never not. The present compilation “Dirty Laundry” is also to lick. Jonathan Fischer went on a search for the roots of soul in the USA - and of course they are in gospel and, yes, also in country. No self-respecting soul singer took the opportunity to make a country record as well. No wonder, because they grew up with country and bluegrass, which could be heard on every radio in the poor black quarters, and soul drew its radiance from them. Despite immense obstacles put in the way of the African-American country stars by the white industry, many of them are now considered classics. And so they are all gathered here with a formidable selection of what you can fish from this time. " Cover magazine